By Siri Hustvedt
Siri Hustvedt has regularly been serious about biology and the way human belief works. She is a lover of paintings, the arts, and the sciences. She is a novelist and a feminist. Her energetic, lucid essays in a lady taking a look at males ladies start to make a few feel of these plural views. Divided into 3 components, the 1st part, “A girl males taking a look at Women,” investigates the perceptual and gender biases that impact how we pass judgement on paintings, literature, and the area normally. one of the mythical figures thought of are Picasso, De Kooning, Jeff Koons, Louise Bourgeois, Anselm Kiefer, Susan Sontag, Robert Mapplethorpe, the Guerrilla ladies, and Karl Ove Knausgaard. the second one half, “The Delusions of Certainty,” is ready the age-old mind/body challenge that has haunted Western philosophy because the Greeks. Hustvedt explains the connection among the psychological and the actual nation-states, displaying what lies past the argument—desire, trust, and the mind's eye. the ultimate part, “What Are We? Lectures at the Human Condition,” discusses neurological issues and the mysteries of tension. Drawing on study in sociology, neurobiology, historical past, genetics, facts, psychology, and psychiatry, this part additionally incorporates a profound and robust attention of suicide. there was a lot speak about construction a stunning bridge around the chasm that separates the sciences and the arts. in the intervening time, we now have just a wobbly walkway, yet Hustvedt is inspired through the tourists making their means throughout it in either instructions. a lady males taking a look at girls is an insightful account of the trips backward and forward.
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Additional resources for A Woman Looking at Men Looking at Women: Essays on Art, Sex, and the Mind
I tell myself to look again, to rethink what I am seeing. What is the Mapplethorpe fantasy? The pictures have a classical, formal aesthetic, one that removes the viewer from 48 some of the pictures’ overtly sexual content. Greek culture was openly homoerotic and, as such, subject to conventions about how male love affairs should unfold. It was not a free-for-all. Mapplethorpe is alluding to and playing with Greek homoeroticism, but the beauty of the pictures doesn’t entirely smooth over the threat, does it?
14. But maybe it is wrong to invoke Nietzsche and his poles of Apollo and Dionysius. Almodóvar, like Mapplethorpe, creates strong visual boundaries in his films, light and color contrasts that create a luminous and beautiful screen image. This links him to the photographer and to the Apollonian. 15. Almodóvar continually quotes other films and genres. His aesthetic is a hybrid. The conventions of fairy tale, myth, romance, horror, soap opera all come into his movies. Mapplethorpe’s references are fewer, and they are more starkly mythological and far easier to read.
All of our perceptions are contextually coded, and that contextual coding does not remain outside us in the environment but becomes a psycho-physiological reality within us, which is why a famous name attached to a painting literally makes it look better. The famous name “Jeff Koons” is not a signifier of greatness, certainly not yet, but rather of art celebrity and of money itself. Money, after all, is a fiction founded on a collective agreement through which exchanges are made possible in the world.